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We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free.

For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages?

Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive.

Lily King Euphoria Interview. Donor challenge: A generous supporter will match your donation 3-to-1 right now. Your $5 becomes $20! Dear Internet Archive Supporter: Time is Running Out! I ask only once a year: please help the Internet Archive today.

We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free.

For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages? Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This.

We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. Donor challenge: A generous supporter will match your donation 3-to-1 right now. Your $5 becomes $20!

Dear Internet Archive Supporter: Time is Running Out! I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free. For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy.

Collect web pages? Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy. We never accept ads.

But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive.

An 1890 portrait of Francesco De Sanctis by Francesco de Sanctis (, 28 March 1817 –, 29 December 1883) was a leading literary critic and scholar of and during the 19th century. De Sanctis was born in the southern Italian town of Morra Irpina (renamed Morra De Sanctis in his honor in 1937) to a family of middle-class landowners. His father was a doctor in law and his two paternal uncles, one a priest and the other a medic, were exiled for having participated in the. After completing his high school studies in nearby Naples, he was educated at the Italian language institute in Naples founded by Marquis Basilio Puoti (1782-1847).

De Sanctis later opened his own private school where he soon became recognized in academic circles for his profound knowledge of Italian literature. In 1848, he held office under the revolutionary government and was later imprisoned for three years in. Following his release, de Sanctis' reputation as a lecturer in, on such Italian authors as (c. 1265-1321) led to his professorship in 1856 at the university of. De Sanctis returned to Naples as minister of public instruction in 1860, and filled the same post under the Italian monarchy in 1861, 1878 and 1879, having in 1861 become a deputy in the Italian chamber. In 1871 he was made professor of. As a literary critic, De Sanctis took a very high place, notably with his and with his critical studies, published in several volumes, some of them posthumously, at Naples in 1883.

De Sanctis had many faithful disciples, among whom was to achieve the most fame. His chief contribution as philosopher was to aesthetics; his influence upon Italian literary criticism remains strong up to the present time. Bibliography [ ].